Origin: U.S.A.
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Much Ado About Nothing
Shakespeare, William ; Hudson, Henry N. ; Herford, Charles H.
Synopsis "Much Ado About Nothing"
Generally considered as one of Shakespeare's best comedies, "Much Ado About Nothing" is believed to have been written near the middle of the bard's career, sometime during 1598 or 1599. It is the story of Leonato, an Italian nobleman, his daughter, Hero, and his niece, Beatrice. Following the conclusion of a war Leonato welcomes into his house Don Pedro, his good friend; fellow soldiers of Don Pedro, Claudio and Benedick; as well as Don Pedro's illegitimate brother, Don John. Quickly amorous relations develop between Claudio and Hero and later between Benedick and Beatrice. As wedding plans are being made for Claudio and Hero, Don John tricks Claudio into believing that Hero has been unfaithful. The wedding bliss is briefly interrupted until the truth is finally discovered and the play ends in a joyful double wedding. Thematically "Much Ado About Nothing" is primarily concerned with the fidelity of its characters. Through the use of a series of deceptions and disguises Shakespeare is at his best in creating a comically confounding set of circumstances. This edition is printed on premium acid-free paper, is annotated by Henry N. Hudson, and includes an introduction by Charles H. Herford.
William Shakespeare (Stratford-upon-Avon, c. 23 de abril de 1564jul. - Ibídem, 23 de abril/3 de mayo de 1616) fue un dramaturgo, poeta y actor inglés. Conocido en ocasiones como el Bardo de Avon (o simplemente el Bardo), se le considera el escritor más importante en lengua inglesa y uno de los más célebres de la literatura universal.
Según la Encyclopædia Britannica, «Shakespeare es generalmente reconocido como el más grande de los escritores de todos los tiempos, figura única en la historia de la literatura. La fama de otros poetas, tales como Homero y Dante Alighieri, o de novelistas tales como León Tolstoy o Charles Dickens, ha trascendido las barreras nacionales, pero ninguno de ellos ha llegado a alcanzar la reputación de Shakespeare, cuyas obras hoy se leen y representan con mayor frecuencia y en más países que nunca. La profecía de uno de sus grandes contemporáneos, Ben Jonson, se ha cumplido por tanto: "Shakespeare no pertenece a una sola época sino a la eternidad"».
