Share
Narrative Ways of Worldmaking in Charlotte Brontë's "Jane Eyre" and Jean Rhys's "Wide Sargasso Sea"
Silvia Schilling
(Author)
·
Grin Verlag
· Paperback
Narrative Ways of Worldmaking in Charlotte Brontë's "Jane Eyre" and Jean Rhys's "Wide Sargasso Sea" - Schilling, Silvia
Choose the list to add your product or create one New List
✓ Product added successfully to the Wishlist.
Go to My Wishlists
Origin: U.S.A.
(Import costs included in the price)
It will be shipped from our warehouse between
Friday, July 26 and
Friday, August 02.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.
Synopsis "Narrative Ways of Worldmaking in Charlotte Brontë's "Jane Eyre" and Jean Rhys's "Wide Sargasso Sea""
Seminar paper from the year 2018 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Heidelberg (Anglistisches Seminar), course: MA Hauptseminar: Cultural Ways of Worldmaking, language: English, abstract: Within this paper, the "worldmaking" of Charlotte Brontë's "Jane Eyre" (1847) and Jean Rhys's "Wide Sargasso Sea" (1966) is compared. This is especially fruitful because the fictional worlds of these novels are connected: In "Jane Eyre", Mr. Rochester has a hidden wife called Bertha Mason. Wide Sargasso Sea casts this character as its protagonist and covers her journey from childhood into adulthood, when she becomes a part of Jane Eyre's world. After an introduction of Nelson Goodman s term "worldmaking" and several of its characteristics, the worlds of these two novels are compared, focusing specifically on the respective selection of characters, perspectivization and the semantization of space.
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
All books in our catalog are Original.
The book is written in English.
The binding of this edition is Paperback.
✓ Producto agregado correctamente al carro, Ir a Pagar.