Millions of books in English, Spanish and other languages. Free UK delivery 

menu

0
  • argentina
  • chile
  • colombia
  • españa
  • méxico
  • perú
  • estados unidos
  • internacional
portada The Cricket: Black Music in Evolution, 1968–69
Type
Physical Book
Language
Inglés
Pages
184
Format
Paperback
Dimensions
26.7 x 20.3 x 1.8 cm
Weight
0.61 kg.
ISBN13
9781953691101

The Cricket: Black Music in Evolution, 1968–69

Larry Neal (Illustrated by) · A. B. Spellman (Illustrated by) · Amiri Baraka (Illustrated by) · Blank Forms Editions · Paperback

The Cricket: Black Music in Evolution, 1968–69 - Spellman, A. B. ; Neal, Larry ; Baraka, Amiri

Physical Book

£ 27.00

£ 30.00

You save: £ 3.00

10% discount
  • Condition: New
It will be shipped from our warehouse between Wednesday, July 10 and Thursday, July 11.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.

Synopsis "The Cricket: Black Music in Evolution, 1968–69"

A rare document of the 1960s Black Arts Movement featuring Albert Ayler, Amiri Baraka, Milford Graves, Sun Ra, Cecil Taylor and many more, The Cricket fostered critical and political dialogue for Black musicians and writersEdited by poets and writers Amiri Baraka, A.B. Spellman and Larry Neal between 1968 and 1969, and published by Baraka's New Jersey-based JIHAD productions around the time of the Newark Riots, this experimental music magazine ran poetry, position papers and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, The Cricket laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets and journalists (including Stanley Crouch, Haki Madhubuti, Ishmael Reed, Sonia Sanchez and Keorapetse Kgositsile) and musicians (including Cecil Taylor, Milford Graves, Sun Ra, Mtume, Albert Ayler and Black Unity Trio) to devise new styles of music writing. The publication emerged from the heart of a political movement--"a proto-ideology, akin to but younger than the Garveyite movement and the separatism of Elijah Mohammed," as Spellman writes in the book's preface--and aimed to reunite advanced art with its community, "to provide Black Music with a powerful historical and critical tool" and to enable avant-garde Black musicians and writers "to finally make a way for themselves." This publication gathers all issues of the magazine with an introduction by poet and scholar David Grundy.Contributors include: A.B. Spellman, Imamu Baraka (LeRoi Jones), Larry Neal, Cecil Taylor, Milford Graves, Sun Ra, Ben Caldwell, Clyde Halisi, Don L. Lee (Haki R. Madhubuti), Duncan Barber, Gaston Neal, Hilary Broadus, James Stewart, Norman Jordan, Roger Riggins, Ronnie Gross, Stanley Crouch, Albert Ayler, Askia Muhammed Toure, Donald Stone, E. Hill, Haasan Oqwiendha Fum al Hut, Ibn Pori 'det, Ishmael Reed, Joe Goncalves, Larry A. Miller (Katibu), Sonia Sanchez, Willie Kgositsile, Billy (Fundi) Abernathy, Dan Dawson and Black Unity Trio.

Customers reviews

More customer reviews
  • 0% (0)
  • 0% (0)
  • 0% (0)
  • 0% (0)
  • 0% (0)

Frequently Asked Questions about the Book

All books in our catalog are Original.
The book is written in English.
The binding of this edition is Paperback.

Questions and Answers about the Book

Do you have a question about the book? Login to be able to add your own question.

Opinions about Bookdelivery

More customer reviews