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portada Erased Erased de Kooning Drawing
Type
Physical Book
Language
Inglés
Pages
114
Format
Paperback
Dimensions
20.3 x 12.7 x 0.7 cm
Weight
0.13 kg.
ISBN13
9781974545186

Erased Erased de Kooning Drawing

Geraint Edwards (Author) · Createspace Independent Publishing Platform · Paperback

Erased Erased de Kooning Drawing - Edwards, Geraint

Physical Book

£ 13.25

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Friday, July 12 and Friday, July 19.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.

Synopsis "Erased Erased de Kooning Drawing"

"It's really lovely." - Kenneth Goldsmith"i enjoyed every single page" - Olia Lialina."l l'd" - Cory Arcangel.The title "Erased Erased de Kooning Drawing" refers to the Robert Rauschenberg work in which he erased a Willem de Kooning drawing over the space of a month, using around 40 erasers in an act of "additive subtraction", leaving an "empty" image, which showed traces of its former state: a palimpsest.As digital erasure is so much more visually complete, a blank digital image will not show such a history. The pure absence of visual information could represent the beginning point of an act of creation, or the end point of an act of destruction.De Kooning told Rauschenberg that he would make it as difficult as possible for him, selecting a drawing which included charcoal, oil paint, pencil and crayon. In the same spirit, a 1-pixel diameter Eraser tool was selected in Photoshop and an image of the Rauschenberg artwork was erased over five sessions and a total of nine hours and thirty-three minutes (a total of 973 "Eraser" actions).Whilst the final visual image is devoid of information, the story of the erasure is encoded in the metadata in the History Log file. This text serves as a digital palimpsest; an epic poem which begs a more general question about how truth has retreated from our retinal environment.When pushed as to what his Erased de Kooning Drawing was, Rauschenberg denied that it was an act of the youngster challenging the authority of the established master, instead calling it a "celebration". He similarly rejected claims that the work was an act of destruction or negation, stating instead that it was "poetry".

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