Origin: U.S.A.
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The Woman in White
Collins, Wilkie
Synopsis "The Woman in White"
'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.
(Londres 1824-1889) Dramaturgo, novelista y prolífico autor de relatos. A los 17 años comienza a trabajar en una empresa de comercio de té mientras escribe Ioláni, o Tahití tal como era (Gótica nº 32), obra que no vio la luz hasta más de un siglo después de su muerte. Estudió Derecho y, aunque nunca llegó a ejercer, sí utilizó los conocimientos jurídicos en muchas de sus obras, y la crítica le considera uno de los padres del género policiaco. En 1851, conoce a Charles Dickens, al que le unirá una profunda amistad y publicará en su semanario All the Year Around sus principales obras. Tras la muerte de Dickens en 1870, su popularidad decae. Padeció de gota reumática la que le acabó provocando una adicción al opio. El epitafio de su tumba le destaca como el autor de la novela La dama de blanco.
